肉灵和涌动的房间，影像声音装置
In “Fleshy Ghost and the Throbbing Room” (2024), everyday objects transform into magical artifacts, erased history reincarnates as ghosts, while secret spells carry political metaphor. Rooms become both real sites and psychic interiors—opened, locked, demolished—revealing how power inscribes itself onto women’s bodies, memory, and confined environments. Here, text functions as the connective tissue, threading together Jia's works from different periods and linking state violence to gendered body politics.
《肉灵和涌动的房间》以文本作为线索，在与影像，声音的交错组织下，串联起胖丁不同时期的作品。日常的物件被赋予奇幻的定义，童趣的咒语承载着政治的隐喻，空间和人体呈并列关系，留下占卜的痕迹；房间是现实场域也是内部经验，是当下发生也是历史痕迹，它们敞开，封闭，被迫被锁上，又被迫被拆迁，显露着权力作用于身体和空间中的确切伤口。